11/14/2022 0 Comments Luther vandross songs cd![]() ![]() I can go on and on about the magic of this album, but I think you get the idea. How about the immortal Temptations classic, "Since I Lost My Baby?" Again, this version may very well surpass the original - a silky smooth, yet vibrant and vital rendition. This man has an incredible ability to not only sing, not only interpret, but to reach down inside a song and pull out its very essence - not a gift too many others have ever possessed. I cannot truly decide which I prefer - it's that good. I always will treasure that version, with Karen's magnificent voice tenderly wrapping itself around the lyric - but now I have this version as well. Let's take "Superstar", an average Leon Russell lyric, made immortal by the Carpenters about 30 or so years back. These here are, in many cases, now the definitive versions. And most of those versions will always be treasured as part of our musical heritage, but. Most of these songs are fairly well-known by their original artists - Karen Carpenter, Little Anthony, Stevie Wonder, Temptations, Friends of Distinction, et al. Here, we see the genius he has for interpretation. Luther Vandross has been making wonderful music for around a quarter century now. This collection of songs is just such an exception. But, of course, there must be an exception. ![]() Music that sells tends to have some form of gimmickry going for it - be it electronic, rap, or overdubbing - likely brought on by the dictates of the day. One can sympathize with Vandross' desperation for a big pop hit, for he is long overdue, but he ends up betraying his best qualities on this project.These days, it's quite difficult to find vocal excellence in the style of the past. Vandross draws not from the great "American Songbook" composers like George Gershwin and Duke Ellington nor from the great soul-music composers like Smokey Robinson and Curtis Mayfield but from the melodramatic, overblown field of the pop-soul crossover hit. The singing is every bit as sumptuous as might be expected, but the song choices are a bit peculiar. Nonetheless, the loudest applause at his concerts is usually reserved for his interpretations of Leon Russell's "Superstar," Stevie Wonder's "Creepin'" and Bacharach & David's "A House Is Not a Home." For fans who prefer to hear Vandross interpreting standards, the singer has devoted Songs to nothing but material by other writers. "Luther Vandross is a much underrated songwriter, a master at capturing the moment in a possible romance when things can go either way. Songs earned Vandross four nominations at the 1995 Grammy Awards for Best Male Pop Vocal Performance for "Love the One You're With", Best Pop Collaboration with Vocals for "Endless Love", Best Male R&B Vocal Performance for "Always and Forever", and Best R&B Album. According to an interview both Luther and Mariah Carey had in Japan following their release of "Endless Love", there was mention that Carey had given advice as to what songs Vandross would cover in this album. The album, a collection of cover versions, produced the singles "Endless Love", "Always and Forever", and "Ain't No Stoppin' Us Now". It was released by Epic Records on September 20, 1994. Songs the ninth studio album by American R&B singer Luther Vandross. ![]()
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